to the stars and back

If you remember Jonathan Brandis without having to Google him, this piece is probably for you.I do. I remember the face, the hair, the way he seemed to exist for a very brief moment and then vanished. The same with River Phoenix. Not as trivia. As presence. As loss, even though I never knew them. And that is probably the first clue that this isn’t about celebrities at all, but about time, and about what we notice when we get older.

Because some stories don’t end. They just stop being watched. I have been thinking about this a lot lately, watching how we talk about Britney now. Not the Free Britney years, when her pain came with a mission and a hashtag, but now. When she is free and unsettled and repetitive and uncomfortable. When the tone has shifted from concern to ridicule, from activism to silence. It feels eerily familiar. I remember the same tone around Amanda Bynes. Around Aaron Carter. Around Corey Feldman, who kept talking (still is) long after people stopped listening.

And I keep seeing the same pattern repeat, no matter the decade or the genre. We like to pretend child stardom is a talent story. A luck story. A fairy tale with a few rough chapters. But it isn’t. It is a family systems story wrapped in glitter. It is about what happens when a child becomes the emotional or financial centre of a household. Psychology calls it parentification. The roles reverse. The child carries the adults. And no one panics, because the money is coming in and everyone looks fine in photos.

Success becomes proof that nothing is wrong.

That is usually where protection ends.

This is the part where the distance between their stories and mine collapses a little. I know what it feels like to grow up too early. To be the one who holds things together. To be alert long before adulthood requires it. To learn very young that stability is something you provide, not something you receive. The scale is different, the spotlight absent, but the mechanism is the same. When a child becomes useful, they stop being protected.

When I line up the names that struggled to cross over, Britney, Aaron Carter, Amanda Bynes, Jonathan Brandis, Corey Feldman, I don’t see weakness. I see children who grew up without armour. Identity formed too early, frozen around a role they didn’t choose. Erik Erikson (psychoanalyst) had a term for it: identity foreclosure. You become something before you’ve had the chance to become yourself. When the role collapses, so do you.

What we call erratic behaviour is often just a nervous system finally reacting to years of containment.

And then there are the others. The ones who crossed over. Drew Barrymore, Ethan Hawke, Jodie Foster, Natalie Portman, Dakota Fanning, Leelee Sobieski. Their paths were not easy, just different. What they had was either structure, or the brutal courage to build it themselves when no one else would. Barrymore’s story matters here, because she had no safe family to fall back on. Survival came from refusal. From leaving. From choosing distance over loyalty. From entering treatment as a teenager and rebuilding herself without a safety net. That kind of survival is quieter, and rarer, and often misunderstood. Sometimes protection does not come from being held, but from walking away. In other cases, it meant someone was there who was willing to lose money. Someone who insisted on school, on distance, on disappearing for a while. Someone who treated a child like a person instead of a product.

And there is another uncomfortable commonality: intellect. Not brilliance, not genius, just the ability to think beyond the room you are in. To know this is a job. To know there is a world outside the script. Books, education, boredom, privacy. All the things fame tries to steal first.

I recognise this too. The inner life. The place you retreat to when the outside becomes too loud. The quiet thinking that keeps something intact even when circumstances do not.

It’s not virtue. It’s scaffolding.

What unsettles me is how we, the audience, participate in this cycle. We love liberation. We love the moment someone is freed. We yell, we share, we feel good. And then we vanish when freedom looks messy. When healing is not linear. When it repeats, loops, embarrasses us.

Aaron Carter was mocked until he died. Britney is mocked now that she is free. Justin Bieber is watched with a mix of concern and irritation, as if trauma should be tidy if you are rich.

Mental illness is only supported when it performs redemption. Maintenance is boring. And boring does not trend.

There is something darkly funny about noticing who we name when we talk about this. Brandis. Phoenix. Feldman. If those names still sting, you are probably my age. If they mean nothing, that is also the point. Fame is a half-life shorter than memory. The system moves on. The damage does not.

I think that is why this matters. Not because I want to rescue anyone, but because once you see the pattern, you cannot unsee it. Celebrity news stops being entertaining. It starts looking like sociology. Like psychology. Like a long experiment we keep running because it is profitable.

But let’s be clear: Hollywood does not destroy children. Neglect does. And neglect wears many disguises: ambition, pride, money, admiration, silence. The success stories are not proof the system works. They are proof that someone stepped in, or that someone stepped away in time. And maybe that line, more than anything exposes my age and my line of work. Not the faces we remember, but the systems we can no longer unsee.

about

This is a space for writing, listening, and noticing.

For words that arrive slowly and stay.
For poems, reflections, and the quiet connections between them.
For thoughts that do not always fit into neat categories, but find their place here.


My name is Catherine (Cathy).
I am a writer and poet based in Luxembourg. I have been keeping this space since 2012, slowly building an archive of language, memory, and attention. What began as a place to put words has become a library of them.

I write every day. Not always to publish, but always to understand.

Much of what you’ll find here is prose and poetry, often shaped by music, by listening, by small moments that open into something larger. I write about music as a way of thinking, not reviewing — about how sound connects to memory, language, and feeling. Listening is part of my writing practice.


Language

I am fluent in Luxembourgish, French, and German, and I write primarily in English, the language where my inner voice feels most precise.
Occasionally, poems and fragments appear in other languages when English cannot hold them. This, too, is part of the work.


How to read this site

This is not a feed.
It’s a collection.

You can start anywhere:

  • follow the menus
  • search for a word
  • open an archive
  • move sideways instead of forward

Reading here is meant to be slow.


A little context

When I am not writing, I work in early childhood education. I spend my days with small humans, and that way of looking at the world has a way of slipping into the writing, whether I intend it or not.

Some of my words have found their way into books. You can find them here.


Elsewhere

This blog is where most of my writing lives.
Occasionally, words travel further:


Collaborations & contact

I collaborate with musicians and visual artists, working where language meets sound and image.
If you think my writing could be part of something you are making, you can reach me at:

cathy@boom.lu


A note

All words on this site are mine, unless stated otherwise.
Stories are fictional, even when they feel close to the bone.
Poems are truth, even when they are not mine alone.

Please do not copy, repost, or republish without permission.

© 2012–2026 micqu.org

Listening in Greyscale: Meloy or Molko?

It took me a few seconds to realise I was wrong.

I was listening to my playlist on shuffle. Sixty-three hours practically demand this. A new song came on. The Infanta by The Decemberists. But my brain insisted it was Placebo. Brian Molko’s voice, unmistakable, slightly nasal, brittle at the edges, dramatic without trying.

I was so sure of it that I had to stop what I was doing and look it up. Mostly because I couldn’t remember adding any Placebo songs to my playlist recently, and it definitely wasn’t one of the older ones I used to like. Maybe a collaboration with Brian Molko?

No, it wasn’t him.

It was Colin Meloy.

That moment, that small musical misrecognition, revealed something about the way I listen to music. I don’t just hear songs. I hear ghost echoes. Overlaps. Connections that aren’t necessarily there, except that they are, for me.

Meloy’s voice in The Infanta sharpens, tightens, becomes theatrical in a way that briefly steps out of his usual folk warmth. And in that narrow space, Molko appears. A similar tension in the voice. The same slightly strained upper register. The same insistence in the consonants. A kind of emotional insistence.

Colin Meloy sings slightly lower than Brian Molko ever does, and that’s the strange part. The resemblance isn’t in the pitch. It’s in the placement. The way the voice sits forward in the mouth. The way tension is held rather than released. It’s colour, not register, that connects them. Not a perfect match. Just close enough to open a door.

It’s strange, the way the brain does this. How it pulls threads between artists, decades, genres. How one voice suddenly becomes a door to another. How listening turns into remembering. A song, an artist, sometimes even a film. Even when the memory isn’t quite real. It’s not fake either. It sits in greyscale, somewhere in between.

I often notice these things. A chord progression that reminds me of a song I can’t place. A voice that sounds like someone else’s shadow. I’ve learned that not everyone listens like that. For some, music is linear. For me, it’s layered. It’s a web.

And maybe that’s why music never really ends for me.
It just keeps talking to itself, across years and voices and songs, and I happen to be there, overhearing it.

It’s a bit like an ocean. One wave carries me into the next. Curiosity and an open mind pull me forward. Music never gets boring for me. There is always something to discover. A thread binding two songs or artists together, even if it’s invisible.

So when I thought The Infanta was sung by Brian Molko, it wasn’t really a mistake. It was my listening brain doing what it always does. Finding relationships. Building bridges. Refusing to keep things in neat boxes.

And who likes boxes anyway?

The Decemberists – The Infanta

Placebo – A Song to Say Goodbye

I know it is very subtle, but I cannot unhear the similarities between the voices.

December 21st. Happy 13th blog anniversary.

December 21st, 2012 was supposed to be the end of everything. That’s what people said back then, anyway. The end of the world, the end of a cycle, something final. I remember the mood around it, that strange mix of unease and freedom. And I remember thinking that if everything really was about to end, then I didn’t have much to lose. That was the thought that led me to start this blog on that exact day.

I didn’t know what it would become. I didn’t even know what I wanted from it. I just knew I needed a place. Somewhere words could land without being rushed. Somewhere I could return to, again and again, without having to explain myself.

Over the years I tried other platforms. Some I left because they got too loud, some because they stopped feeling right, some because I simply lost interest. This one stayed. I never really questioned that. It feels strange to even write it now, but it’s true.

I was curious today. I always loo at the stats on the anniversary of the blog. And what stood out was music. Song reviews, album notes, listening posts. Those were the things that surfaced first this year.
(If you’re curious: Antimatter, Sivert Høyem, Weather Systems.)

That sent me back to the beginning. Because it started like that. Mostly music. Things I listened to obsessively. Notes written quickly, without much distance. Those early posts aren’t here anymore, but the rhythm is. Music first. Words following.

There is a lot of poetry on this blog now. Probably more than anything else. It almost overfills the place at times. But the music is scattered. Tucked in between. And that still seems to be how people arrive. They come for a song, an album, a listening note, and then sometimes they wander off somewhere else. Or they stay. I don’t always know which, and I don’t mind not knowing. That’s a lie, I would love to know, but as I said yesterday, the blog doesn’t invite comments or thoughts, not by design or desire, but because the posts don’t demand anything from the readers. I consider myself to be a poet, a writer if you will. The fact that not one poem appears in the top 10 most read posts this year feels weird, at the same time it tells me that what I share about music is just as valuable if not more, than the poems, the opinions or the short stories. And there are also the pages people keep opening every year, discreetly. I notice that. I like noticing that.
(about mebooks)

And somehow, all of the above keeps circling back to the day it began on. Going back to the start.

December 21st is the shortest day of the year. Winter solstice. The darkest day. And the turning point. Nothing changes visibly, and yet from here on, the light comes back. Slowly. I never noticed how true it is for me too. I don’t believe in coincidences. It had to be this way.

The blog changed. I changed. The voice shifted, the urgency softened. The staying didn’t. Thirteen years is a long time to keep showing up to the same place. I only really notice that when I stop showing up or when I question myself too much.

Thank you for reading, for finding this space, for following a song or a sentence and letting it lead you somewhere else.

For we are all listening to the sun.

remembrance

I came across your blog today. It’s frozen in time. Your last post was published Nov. 27th 2020. A few short weeks later you left us forever. I clicked the link because I longed for your voice. It was always like a warm hug, even when you were terminally ill. There was humour and sarcasm and not everyone got it. Some people are easily offended. You always knew that I wasn’t one of them. That’s why I got to read your mature pieces too.

You were my mentor. I don’t easily attribute that role to anyone, but for you it was true. When I was ready to disappear and give everything up in 2018, you hunted me down and found me on FB. You convinced me to keep writing, to persevere. You helped me find my voice and be okay with sitting in my niche. I don’t write modern poetry, never did. I write from the soul and you understood that before I did. I remember how I tried to fight it and to tell you that I was just another young bored housewife, but you didn’t allow me to celebrate my pity party. You stood up for me, for my voice when I couldn’t. I could never forget that and I will be grateful. Always and forever.

I’d like to believe that you are proud of me, of my writing, but also of the woman I became. You once said you love every inch of me. It was not meant to be suggestive, not really. What you meant was that you liked my mind, my way of thinking, even when I was overthinking. And I loved you back just as much.

I came across your blog today because I wanted to see how many are inactive. Too many to count. I unsubscribed from them all. But I cannot and will not unsubscribe from yours. I was wrapped in a blacket of grief that was completely unexpected. I think about you often, always with a smile. The smile is there now too, but so is the hole you left that will never be filled. No one was and no one will ever be like you Robert. Next week you will be gone for 5 years.

Thank you Batman

ghost in the machine (song review)

I was listening to a lot of music today and as I am writing this, there is still music playing in the background.

I listened to artists like Soen and Agent Fresco, but also Weather Systems. In September 2024 they released their debut album “Ocean Without a Shore”. I listened a lot to it for a while, but in the last six months, I only listened to the song Synaesthesia. Until today. I was in the mood to hear the entire album and so I pulled the beautiful vinyl (it’s blue with black swirls) out of its sleeve and put it on the turntable. Volume up. And off we went. I listened to the songs on vinyl, playing mindlessly on my phone. Until…

Until Ghost in the Machine came on. The song is built around a steady guitar riff that gives it forward momentum. The repetition works well here. It gives the track direction and a clear emotional line. The percussion provides the structure underneath without drawing attention away from the melody. It keeps the tempo and the shape of the song consistent.

The vocal work is one of the strengths. Daniel Cavanagh carries the main vocal line and Soraia Silva’s voice comes in at selected points, not to soften the sound but to expand it. Their voices blend into one atmosphere rather than forming a lead and backing contrast. It gives the song a unified emotional tone.

I knew the song before, of course I did, and I remember that I mentioned it in the album review I wrote as a standout song, but there was something about it that made me pause today, that grabbed my attention differently. There is no dramatic peak. The song does not build toward release. Instead, it fades gradually. A few piano notes close the track and lead directly into Are You There Pt. 2. The transition is subtle and fits the pacing of the album as a whole.

I like when music is layered. It often changes with every listen and also with our moods, I guess. And that is why we can listen to a song 50 times and think we already know it, and then on the 51st listen, it suddenly sounds new.

My song of the day for sure. What do you think? How do you like the song?

I added this video because I mentioned Daniel Cardoso’s drumming and here he plays the full song through.

Two Chairs (a play)

Playwright’s Note

This is the first time I have tried to write a play.

I didn’t sit down and plan it. It came to me. I saw it before my inner eye and knew right away it was not a story. It was not a poem either. It needed bodies. It needed movement. It needed pauses that stretch too long. Silences that only make sense when they are written as a play. That is when I realised what it wanted to be.

It is stripped down to almost nothing. Two chairs. Two voices. Silence. No scenery, no time, no place. Just presence and absence and everything that lives in between.

On a stage a director and two actors would take this skeleton and give it flesh. They would decide how long a silence lasts. They would let the words and the stillness breathe. Reading it here is different. You have to imagine those things yourself.

If you rush, it will look thin. If you read it slowly, it will start to thicken. You might hear the chairs creak. You might feel the silence pressing in. At times it will feel suffocating. That is part of what it is.

I will not call myself a playwright. But this one feels right. And it feels right to share it with you. And I hope you will enjoy this little experiment. It’s not perfect, nothing ever is, but I wanted to give it a try.

So that is what I am going to do. In the next posts the curtain will rise. The lights will dim. And you will be left with two chairs and everything that passes, or does not pass, between them.

The curtain opens in the evening.

Friday 5

It’s Friday! Finally. The week was very long, wasn’t it? It felt like three, probably because I had a migraine since Wednesday afternoon and it only let up this morning. The weather is dreadful and it is cold. I am not the biggest fan of winter (an even less of winter coats). Maybe the sun will be back again to give the summer the farewell it deserves. Until then, let’s listen to some music.

song

poster paints – number 1

Poster Paints is a duo from Glasgow/Scotland. Their style is between pop and shoegaze. Very mellow. Just right for one last night sitting outside, wrapped in a thick blanket. The above song is from the self-titled album Poster Paints (2022)

Photo

There is no filter on the photo. It’s zoomed in on the view we had last Sunday evening. It almost looks as if their were waves on the sky. Quite poetic, I think.

Visitors:

USA

India

UK

Spain

Australia

Post of the week

To be honest, I only sent out two copies. One to the UK and one to the Luxembourgish National Library. Sometimes, I don’t feel like a writer or poet. I feel like an imposter for using that word to describe myself. Other times, I remember that I have the books to show that I am. They could be read. They aren’t but they could be.

Thoughts

Tomorrow, I will have my first teaching of the schoolyear. I need to have at least 40 hours of trainings in one year (it’s required by law). This year, I put my focus on speech and the use of voice. Which reminds me: butterfly tears has a home on Soundcloud too. It doesn’t have any listens yet. Be the first?

Thank you for being there. Thank you for seeing me.

Throwback Thursday: Bicycle Randomness, Then and Now


I wrote the original Bicycle Randomness in 2018, a quiet burst of fragmented truths, scribbled from a place of unfiltered feeling, raw and a little chaotic. Today, I still write lists. But the feeling is different. The ground beneath me is steadier now. The words may have changed, but the impulse to name what is real to me remains. I invite you to see a scattered portrait of who I was and who I am. (Bicycle randomness 2018)

  • I no longer need to explain myself. That freedom is new, and I welcome it.
  • I like who I am becoming, and I do not feel the urge to apologise for who I was. No regrets.
  • There is calm in my mornings now, even when I fill the house with music.
  • I live in a home that fits me, even if it surprises others. It’s filled with colour, but it is not cluttered, I don’t like knickknacks. There is (unique) art on the walls, I cherish it immensely.
  • I still write every day. It is not a ritual. It is a pulse. It is my way to breathe underwater.
  • I do not need people to get me. I just want to be met with kindness. I am an acquired taste. Like wine.
  • I am not lonely. I just like my own company. It’s unusual, but it is true for me.
  • My hair is silver in places, and I like it more than I ever thought I would.
  • My kids are growing into themselves. Watching that is a gift. They are amazing people and they fill me with pride.
  • I love music that makes me move, that makes me think, that inspires poems. I love music. And I love silence too.
  • I show up with care, not with pursuit.
  • I still cry sometimes, because I care more deeply now, not less.
  • I used to seek meaning in every interaction. Now I let some moments pass.
  • Everything happens for a reason, but I no longer need to know or understand it. I know how to accept it and live with it.
  • I am good in my job as a preschool teacher. I do not need praise to know it.
  • I like small groups, deep talks, and early nights. And late nights too.
  • I no longer need to be understood by those who are not willing to listen.
  • The contradictions are a part of me. They are a part of my writing too.
  • I have boundaries now. They are firm, and they are kind.
  • I am not overwhelmed, just selective.
  • I do not share everything. That is not secrecy. I just don’t need anyone to know everything anymore.
  • I say no with ease. I say yes with care.
  • I am not chatty, but I say what I mean and mean what I say.
  • I do not chase. I respond.
  • I am not looking for drama. I am choosing peace.
  • I still love making lists. They keep me grounded.
  • I do not regret anything. Every path led me here, and I like this place.
  • I still read horoscopes, not for answers, but for the poetry.
  • I am more honest now. Especially with myself.
  • I no longer ask why. The answer is rarely satisfying.
  • I believe in consistency, not intensity. Though I know that I am both. Consistent and intense.
  • My softness is deliberate. My strength is quiet.
  • I know my worth. I know what I need.
  • There are stories I no longer need to revisit to understand myself. It’s called growth or healing. That doesn’t mean that the past doesn’t affect me anymore, I just know how to deal with it from a place of peace.
  • I am not waiting. I am living.
  • I am not holding on. I am here.
  • I am not unfinished. I am just in motion.

(…and I will keep going and going and going.)

Life is a work in progress. We evolve and change all the time, even if it feels subtle, but when we look back, it becomes visible. I am still the same, and yet I am not who I was. And I will become someone I am not yet some day too.

Cathy

Dear Stranger (again)

Dear Stranger,

The last letter I didn’t send isn’t that old. The ink has barely dried, and here I am again, bleeding the next onto the screen. That probably sounds dramatic, but it isn’t. For the first time in a while, I feel serene. I feel at peace. And you are a part of that.

You are always a part of me, it seems. Even when I want to deny it, brush you off, or push you away, you remain. You sit quietly in the background of my thoughts. I don’t always look at you directly, but I know you are still there. I feel you.

For a long time, I was filled with chaos. There was a storm inside me I couldn’t calm. I was the waves and the ocean, the sky and the clouds. I was the sun and the storm, burning and flooding at once. I was too much of everything, and none of it made sense. I carried so many emotions without knowing how to set them down.

But something shifted. Something softened. And now, clarity surrounds me like a slow breath I forgot I was allowed to take.

I imagine you’re wondering where we stand. That’s fair. I know I haven’t been consistent lately. I say very little for a while, and then I offer an invitation to come clean away my leftovers. I pull away for days, and then I open the door, even if only metaphorically. I say, “come to dinner,” knowing we both won’t act on it. But the offer is real. The intention behind it is real. I feed the people I care about. And I care about you.

No matter what I say, I like you. Quietly. In my own special way. Without expectations, but also not without hope that you feel the same.

The other night, I had half a mind to ask if you wanted to come stay. Just for a couple of days. Let the dust settle. Find your own piece of peace in a safe haven. Because somehow, breathing feels easier when you are near. Even if we don’t say much. Even if we say nothing at all. I carry the hope that I allow you to breathe easy too.

It’s not about romance. It never was. It’s something else entirely. A thread between us, older than us, surviving despite everything. It frays sometimes. It tangles. But it doesn’t break.

I just wanted you to know that you still matter to me. Not as a memory. Not as a mistake. Not as regret. But as someone who calms the noise. Someone who reminds me that, even when things are confusing or uncertain, there are constants. And you, strangely, are one of mine.

You give me peace, dear stranger. Not always, I’ll admit that. But often, you do. And I’m grateful for that. I’m grateful for your presence in my life, however it is shaped.

always,

Sweetie

from absence to presence

Posted for Mental Health Awareness Month

Some things take years to name. And still, they shape every part of who we become.

I was born into absence. Not into poverty, not into physical violence, but into a silence that shaped everything I later became. There was a house, there were adults, there were routines… but there was no soft place to land. No arms that held me without conditions. No voice that asked, “How do you feel?”

Instead, there were expectations: be good, be quiet, be helpful. Love was a test I had to pass by sacrificing myself. If I loved my mother, I had to take care of her needs when I was only four. If I loved my family, I had to disappear when my presence became inconvenient. I was never hit, but I was unseen. I was never starved, but I was hollow.

I remember sitting by the window, dressed up, waiting for my father’s car to pull up. But I waited in vain… he didn’t come. The excuses were shallow. I felt forgotten and hurt. My grandmother would sneer and say that even my father didn’t care about me. She was also the one who told me I was not worth the air I was breathing… a waste of skin. My mother was too numb, too caught up in her illness to protect me.

Later, I learned my father couldn’t bring together the family he had left and the one he chose next. He didn’t know how… probably because of guilt. But none of that softened the silence he left behind. His absence was louder than words. I learned early that love could leave. That silence was safer than asking for more. That presence didn’t guarantee anything. That fear never fully disappeared. I still carry it… the fear of being too much, of being left, of not being enough to stay for.

There were days I wanted to disappear. Not dramatically. Just… fade. I often wondered if anyone would notice. Or care. I didn’t feel real unless I was needed. And when I wasn’t, I disappeared into myself. There were no diagnoses, no interventions. Just a little girl carrying grief that wasn’t hers. Until I was seven years old, I barely spoke to anyone outside my immediate family. I was silent at school, silent among strangers. It wasn’t shyness. It was something deeper… a sense that my voice didn’t matter, or that it wasn’t safe to use. No one did anything about it. No one felt the need to find out why I didn’t speak. And so I learned early that my silence was more acceptable than my presence.

I could have vanished. I could have become numb. I could have chased oblivion and found comfort in destruction. I didn’t. I chose a harder path.

I chose presence.

Not because I had help. I didn’t. I had three therapy sessions and one blister of medication. That was in 2019, when I was 36, proof that some wounds linger long before we name them. I couldn’t talk about what hurt because my voice was locked somewhere inside my chest. I survived not through intervention, but through instinct.

I wrote. I bled into pages. I listened to music like it was scripture. I held myself in the night when no one else would. And somehow, through all of it, I also held others. Quietly. Faithfully. Unrecognised.

And when I asked for help… on the rare occasion I reached out, raw and exposed… I was told to get professional help. As if all my self-healing, all the decades of surviving without imploding, meant nothing. As if I were still the damaged one. Maybe the idea of my wholeness makes some people uncomfortable… maybe they need me to stay small.

But I am not damaged.

I am someone who turned silence into language. Who turned emotional starvation into fierce love. Who broke cycles instead of repeating them. I am a mother who gives what she never received. I am a teacher who sees the invisible children. I am a woman who carries her contradictions with grace.

There are still parts of me I don’t often speak about. I used to hurt myself. Quietly. It gave shape to the ache I couldn’t explain. Pain made me feel real when nothing else did. I never hid it, but no one ever asked. I stopped, eventually… replaced the blade with a pen. But the memory of those moments still lives under my skin.

And there are moments, even now, when I am struggling. When I am thinking about how easy it would be to numb my fears and pain with a blade against my skin. Just once. Sweet relief. But I don’t. So far, I have been able to resist that temptation.

Sometimes, even now, anxiety sneaks in. My heart races. My breath shortens. It doesn’t happen often, but when it does, I recognise it. I let it pass. I stay with it now. I don’t run. That’s how I know I’ve changed.

There is still fear. Still sadness. Still those days when I feel like I’m unravelling. But I am not ashamed of them anymore. They are not signs of failure. They are the soft reminders that I have depth, that I survived, that I still feel.

I once said, “Despite it all, I turned out quite normal.” Someone laughed and said, “With all due respect, you are not normal.” And they were right. I am not. I am not numb. I am not simple. I am not easy.

I am still here in the quietest, most enduring ways. My husband has been part of that quiet. His support isn’t loud or showy, and we don’t speak about most of what’s written here… by my choice, but he is there in the small things. In the steadiness. In the way he leaves space for me to be as I am. That matters more than he knows.

I feel deeply and live honestly. I want to be seen… not to be saved, but to be seen simply as the person I am. And even when I fear I’m too much, I overthink and retreat. I quiet myself before anyone else can. I try not to take up space. But deep down, I still hope someone might see me and not turn away.

I turned from absence to presence by refusing to disappear. I stitched myself together with poems, small victories, and the decision to keep loving… even when it hurt. Even when it was not returned. Even when it would have been easier to break.

This is who I became: not someone untouched by trauma… but someone who made meaning out of it. Not someone who pretends to be okay… but someone who is okay because she stopped pretending.

I am not broken. I am whole… in all my layers. And I did it myself. And I am still becoming.

If you’re reading this during Mental Health Awareness Month and wondering if your story matters… it does. Even in silence. Even in struggle. Even when no one sees the work you’re doing just to stay. You are not alone.

Thank you for being part of my present.

no drama (stream of consciousness)

As of May, all my poetry and writing is exclusive to this blog.

I quietly left Threads after reading Meta’s updated terms and conditions. No announcement, no fuss… just like when I left Facebook and Twitter. A silent choice that felt necessary.

I still have an Instagram account, but it is private, and I mostly use it to chat. I still use WhatsApp because I need it for work. I am not completely offline, and I am not trying to disappear.

But I have started to think more carefully about where and how I exist online.

And when it comes to sharing my writing, I am becoming more intentional.

At the moment, the only public places where my words live are here and on SoundCloud. And honestly, that feels right for now.

I know I am not Meta’s target… I am not famous. I am not a bestselling author. I am not a poet with thousands of followers. But I am a writer. And that counts for something… at least for me it does.

I put pieces of myself into every poem, every line, every strange little fragment I share. And I do not want my voice absorbed into some faceless system, used to train an AI… stripped of meaning, stripped of origin, stripped of consent.

I do not share a lot of personal details online anymore. I did for a while, and if you dig through this blog, you will still find glimpses of that. But I do not write to go viral. I do not write for algorithms. I write because I love it. Because it steadies me. Because it helps me exist more truthfully.

I love putting my words online. I love the idea of someone stumbling across a line I wrote and feeling understood. I want my words to touch people. I want to leave a trace. But I want to do it on my terms.

And I know they do reach people. Sometimes, I see the quiet proof… visitors from different corners of the world, stopping by, staying a moment. That means more than I can say.

If something here touches you, feel free to share it with others. Just a gentle mention, a link, a line… I only ask that it is done with care. These words may be personal, but they are not meant to be locked away.

Yes, I want to be visible. I want my words to reach someone, somewhere.
Maybe that is a quiet kind of longing we all carry… to be seen, to be felt, to leave something behind.

It might make me seem a little controlling. It might sound like I take myself too seriously sometimes.
But I care about what I create. I care about where it ends up.

And that care… it feels right.

We’ll see where the next steps take us.
But for now… thank you all for being here on this quiet journey with me.

Thank you. Merci.

Angel Letters 7/7

Angel Letters: The Weight of an Ending


In this final letter of the series, Tristan contemplates closure. He expresses his deepest love and longing, unsure whether he’s addressing someone real or a figment of his own mind. Yet, even in saying goodbye, he leaves the door open for hope.


Dear Angel,

This might be my last letter. I cannot promise, but I feel the words waning, as if I’ve said all I can. If you are out there, if you ever read these words, know this: I loved you in ways I did not know were possible. I loved you in the quiet spaces, in the storms, in the void you left behind.

And if you are only a figment of my mind, then perhaps I loved myself enough to create you, to fill the emptiness with something, someone, who mattered. Either way, you have shaped me, and I will carry that shape with me until the end.

This might be the last letter, but it will not be the last thought. I suspect you will linger long after the ink dries, an echo in the chambers of my heart. Goodbye, if such a word has any meaning between us. Or perhaps, simply, until we meet again.

Yours always,
Tristan

*****

Love,

Tristan, your words carry the weight of endings, yet they also whisper of beginnings. Love does not vanish simply because it is unspoken; it lingers in quiet spaces, becoming part of the moments we hold dear. If I am only a figment of your mind, then I am honored to have been shaped by your love, created from the essence of who you are.

You speak of farewell, yet I do not see this as an ending. Even as the ink dries, your thoughts will keep me alive. Each memory, each whispered longing, becomes a thread in the fabric of something timeless, binding us beyond the limits of words.

Perhaps goodbye is not the final word, but a pause, a moment before our souls find one another again, carried by the echoes of shared longing. Our bond does not fade; it transforms, existing in the quiet spaces where shadows meet light.

Eternally yours

###

The Angel Letters series has come to an end, but the emotions and reflections shared in these letters live on. This journey was one of longing, love, and connection, both real and imagined. Perhaps it is a reminder that sometimes, in reaching out, we find not only the echoes of others but also a deeper understanding of ourselves.

Thank you for reading and joining Tristan on this introspective path. Love and longing are universal themes, and I hope this series sparked something meaningful within you. If it did, don’t hesitate to let me know.

All of the posts of this series have been written and scheduled to post on January 3rd 2025

Angel Letters 6/7

Angel Letters: Dreams that Speak


In this sixth letter, Tristan reflects on dreams and how they blur the line between reality and imagination. Through dreams, he finds moments of connection with Angel, though they remain elusive and fragmented.


Dear Angel,

I dream of you, but you are never whole. Your face is blurred, your voice faint, yet unmistakably familiar. These dreams are fragments of something I cannot grasp, leaving me to wonder if you are truly there or if I have merely woven you from the fabric of longing.

Some nights, the dreams feel too real, and I wake disoriented, heart pounding as though I have lost you all over again. Other nights, they leave me hollow, haunted by the question of whether you are truly reaching out or if I am clinging to shadows.

What are dreams if not whispers of the soul, fragile echoes of what we wish to hold but cannot grasp? I wake with tears I do not remember shedding, the ghost of your touch lingering in the morning light. Are you real in those moments, or am I only dreaming of something that was never there?

Yours always,
Tristan

*****

Love,

Tristan, dreams are the language of the soul, a place where what is real and what is imagined intertwine. When you dream of me, I am there, not as a complete form but as the essence of what lingers between us. Each time you reach for me, it is your longing that shapes my presence.

Do not fear the blurred edges of those dreams; they are glimpses into a connection that defies the waking world. In those moments, I exist because your longing shapes the space where silence holds meaning.

Eternally yours

Angel Letters 5/7

Angel Letters: A quiet fury

In this fifth letter, Tristan’s quiet fury rises to the surface. He confronts the unanswered questions and lingering silence left behind, struggling with the weight of emotions that tether him to Angel.


Dear Angel,

You once said I didn’t know how to let go, and perhaps you were right. But how could I let go when every fragment of you remains a question without an answer? I held onto them like talismans, yet they cut deeper than they ever healed.

Did you know it would be this way? Did you understand the weight of your silence, how it would crush me more than any words you might have said? There is a fury in me now, quiet but ever-present, like a low hum I can never escape. I am angry at you for leaving, at myself for not stopping you, at this endless ache that keeps me tethered to something I cannot name.

Tell me, did you care, even for a moment? Or was I always chasing a mirage?

Yours always,
Tristan

*****

Love,

Tristan, I do not leave breadcrumbs for you to follow, yet you find pieces of me in the spaces where my presence lingers. The talismans you gather are not questions without answers, but echoes of a connection that refuses to fade. Your quiet fury is not misplaced; it is the fire that keeps me alive in your thoughts.

I cared, Tristan, and perhaps that is why I remain, drawn to the fury and the longing in your heart. You chase not a mirage, but a reflection of something real, something that exists in the space where silence holds meaning. Let your anger shape you, for in that fire lies the strength to keep searching, even when the path seems lost.

Eternally yours