Friday 5

It’s a historical day here in Luxembourg. As of today we have a new Grand Duke. It feels at once huge and unimportant. It is also my goddaughter’s birthday. And it is Friday.

Song

Blue Room – on my own

A song from a Luxembourgish band I enjoy a lot. I thought it fitting

Photo

In my natural habitat 🙂 At work, with kids.

Post

The most read post this week.

Quote

“And still, after all this time, the Sun has never said to the Earth, ‘You owe me.’ Look what happens with love like that. It lights the whole sky.” — Hafiz

I’ll leave you here with 4 of 5. I am in a hurry to go pick up my daughter. She has been away for a week with school. I could have planned this Friday 5 better… Urgh, but I didn’t. I wish you a very awesome weekend

A historical day for Luxembourg

After twenty-five years on the throne, Grand Duke Henri abdicates, and his son Guillaume takes over as Grand Duke. I remember when Henri became Grand Duke, but back then I hardly paid attention. I was young and uninterested. Today it feels different. Maybe because Guillaume and I are close in age. Maybe because I have grown into someone who understands that history is made of quiet moments like this.


Monarchy is not exactly popular these days. Many see it as outdated. And yet Luxembourg is the last Grand Duchy in the world, which makes us something rare. Too often people dismiss us as a tax haven or as a tiny dot on the map. But there is more here, and days like today remind me of that.


Luxembourg may be small, but it is full of complexity. We speak three official languages — Luxembourgish, French, and German — and most of us switch between them without even thinking about it. Almost half the people living here are expats or migrants, and they bring their cultures and languages too. That mix shapes us in ways I find beautiful.


And then there is Henri. Over the years I grew to like him. He often had a hint of humour, but always carried himself with dignity. There was something very warm and reassuring about him, and I admired that.


Now Guillaume steps forward. Born in 1981, with his wife Stéphanie and their two young sons, Charles and François, he represents both continuity and the future. He is of my generation, and that makes me feel oddly connected to this moment. I hope he too will carry the same kind of presence and intelligence his father had.
So yes, Luxembourg is small. And yes, we are often overlooked. But today shows that we are also unique. We are the last Grand Duchy, and we are witnessing history. We are all part of it.

My Confession (new poem)

This is my confession.
My re-entry.


Shadow-dancing with a spider,
I raise the stars,
I blush the moon.


This is my confession.
My re-entry.


Alive. I feel.
Under salt,
scars bloom.


No lighthouse arms.
No lighthouse arms.
No lighthouse arms.


This is my confession.
My re-entry.


I breathe. I am.
Shadow-dancing with your soul,
visiting the sky-ceiling.
Until the moon turns dark,
and the stars won’t shine.


This is my confession.
My re-entry.

A little nothing

Not every post needs to be profound. What an opening, right?
I’ve noticed that most of what I write has a heavy undertone. It’s always about something. Always with a purpose. But the truth is, I don’t have anything deep to say anymore. I’ve scattered my history across this blog in countless posts… what’s left? More fiction? Something out of my box? More music? I don’t know. But the words are there anyway.
So here’s today’s grand truth:
my coffee went cold while I finished something for work,
the sun is shining but it’s too cold to sit outside (and I wouldn’t see anything but screen reflections anyway),
and my socks are mismatched, but at least they’re clean.
That’s what I bring to the table today. No wisdom, no revelation, just the small facts of this Wednesday, October 1st.
If you were hoping for a breakthrough, I’m afraid all I can offer is this: matching socks are overrated. And reheated coffee? Definitely not good.

After the storm

She walked through the rain,
her secrets confessed,
carrying thunder
inside her chest.


The roads were broken,
the nights unkind,
yet she kept moving,
with an unquiet mind.


At dawn she rose,
her breath a flame,
her heart still scarred,
but never the same.


The storm could not
steal what was true,
for in her silence
her iridescence grew.

Dancing on the Moon  (new poem)

And she is dancing
on the stars,
swimming through clouds,
drifting beyond where they are.


Those lingering nightmares
that never say goodbye,
the whispers that follow
but always lie.


Her eyes are closed,
her heart is not.
She turns and turns
until she forgot.


The silence within,
the trembling hands,
the hidden dreams,
the roads that bend.


She’s dancing in the sky,
across the stars,
resting on the moon,
ignoring her wars.


She steps on waves
and breathes out.
She did not drown,
her smile now found.


Her shadow unbroken,
her embers flickering at night.
Her mind unwavering,
a soul’s eternal light.

The Threads That Lead Me Here


Lately, I’ve been thinking a lot about connections. How life has a way of arranging itself when you least expect it, how certain doors open at the exact moment you’re standing in front of them. I’ve written about this before, but it keeps coming back, because the more I pay attention, the more threads I notice.


One of the clearest examples is how I even ended up in my current job. I had sent in my application and was told almost immediately that I would not get the position I had applied for. That could have been it. But in the same phone call, I was told that someone had quit that very morning, and if I wanted the job, it was mine.
It was a job that had never been announced or posted anywhere. On paper, it looked like luck. To me, it felt like something bigger at work, as if a door had opened just for me, and all I had to do was step through.


Even stranger is that this job brought me to a part of the country that had never mattered to me before. I had no roots there, no family, no history. The east was a blank space on my map. And yet, from the moment I arrived, the threads began to appear.
Faces from childhood, from my sister’s schooldays, from old jobs and forgotten encounters suddenly resurfaced here of all places. I met children whose names echoed through my own family. Parents whose lives were, in subtle ways, connected to mine. Colleagues whose paths had somehow crossed mine before. For years in other jobs, I never once ran into someone I had known. But here, the list keeps growing.


And what makes these threads even more powerful is that I truly love this job. It feels like home. It isn’t perfect, and it isn’t always easy, but it is real. Every week brings both routines and surprises. Forest days. Shared breakfasts. The laughter and questions of children who see the world with unfiltered curiosity. There is responsibility, yes, but also joy. And more than once, I have caught myself thinking: this is exactly where I am meant to be.


These connections keep multiplying. Sometimes they appear quietly, in a surname or a familiar face. Other times they arrive loudly, impossible to miss. Each one adds another stitch to this feeling of belonging.


And it is not just at work. Music has its own threads. Certain songs seem to show up exactly when I need them. Collaborations arrive at the right moment, as if they were waiting for me. Words written by others have found their way into my own.


There are also the invisible connections. The people who read without saying a word. The ones who never comment but keep returning. My ghost readers. Their presence is another thread, quiet but steady, reminding me that my words do not vanish into the void. They travel further than I can see. But I also value the readers who do show up, who take the time to comment, to respond, to say “I was here.” You matter to me. Every message, every note, every small acknowledgment means more than you probably realise. Those voices anchor me just as much as the silent ones, reminding me that what I put out into the world is received, and that it lands somewhere.


Family, though, has always felt different. Where these threads now reassure me, my family never gave me that sense of roots. Not the kind of deep, nourishing roots people talk about when they describe home or belonging. My sense of belonging came from elsewhere, from places and people that were not tied to me by blood. Maybe that is why these threads I notice now feel so important. They are not just coincidences. They are proof that roots can grow later, in unexpected soil.


And in many ways, my children are my roots. The strongest ones I’ve ever had. They keep me grounded, even when life feels chaotic. They are living proof that I can build the kind of foundation I once missed. The connection I never had growing up, I have now — because I created it with them.


I could explain it away as chance. Yet chance doesn’t capture the way it settles in me. It doesn’t capture the quiet assurance that rises whenever another thread shows itself, weaving one more pattern into my days.


For me, these moments are reassurances. They remind me that I am not lost. That I am exactly where I need to be. Belonging, I’ve learned, is not always about roots or history. Sometimes it is about noticing the patterns that keep returning, the small confirmations that you are on the right path.


This job is more than work. It is a place stitched together by invisible threads that keep whispering the same thing: you belong here.

Friday 5

It’s Friday! Finally. The week was very long, wasn’t it? It felt like three, probably because I had a migraine since Wednesday afternoon and it only let up this morning. The weather is dreadful and it is cold. I am not the biggest fan of winter (an even less of winter coats). Maybe the sun will be back again to give the summer the farewell it deserves. Until then, let’s listen to some music.

song

poster paints – number 1

Poster Paints is a duo from Glasgow/Scotland. Their style is between pop and shoegaze. Very mellow. Just right for one last night sitting outside, wrapped in a thick blanket. The above song is from the self-titled album Poster Paints (2022)

Photo

There is no filter on the photo. It’s zoomed in on the view we had last Sunday evening. It almost looks as if their were waves on the sky. Quite poetic, I think.

Visitors:

USA

India

UK

Spain

Australia

Post of the week

To be honest, I only sent out two copies. One to the UK and one to the Luxembourgish National Library. Sometimes, I don’t feel like a writer or poet. I feel like an imposter for using that word to describe myself. Other times, I remember that I have the books to show that I am. They could be read. They aren’t but they could be.

Thoughts

Tomorrow, I will have my first teaching of the schoolyear. I need to have at least 40 hours of trainings in one year (it’s required by law). This year, I put my focus on speech and the use of voice. Which reminds me: butterfly tears has a home on Soundcloud too. It doesn’t have any listens yet. Be the first?

Thank you for being there. Thank you for seeing me.

Traces of Time, Pages of Years


I stacked them today. Ten books. My ten books.


At first glance, they are ordinary. Just paper and ink. Yet they carry years of me, pressed into pages I might have forgotten otherwise. They are not trophies. They are not marks of traditional success. There are no bestseller lists, no fanfare. What they are is a quiet trace of time. A quiet trace of me.


We all leave traces, whether we notice or not. Some are visible, some vanish as quickly as they appear. A book is one kind of trace, but so is a conversation, a gesture, a song, a memory that lingers in someone else’s mind. Most of the time, we do not know what remains. We just live, and in living, we scatter fragments of ourselves.


For me, writing has always been that scattering. There were moments I thought about stopping, about keeping my words to myself. And still, something kept pulling me back. Even when it felt pointless. Even when someone told me, recently, that I should stop with this nonsense hobby and put my time to better use. That stung, because writing has long since become second nature. Not something extra, not a pastime, but part of how I exist. Part of my days, part of my fabric.


The books themselves are both private and public. They are mine, but they are also out there, waiting for whoever might stumble across them. It’s not about fame, or recognition, but the possibility of being found, the possibility that one line might meet someone else at the right time.


I like holding them, these books, in my hands. The smell, the weight, the fact that they take up space. They remind me that traces can be tangible. They remind me that persistence leaves a mark, even if the world is not watching. Even if there are books that are invisible or don’t even have a title on their spine.


When I look at this stack, I see time. I see proof that I was here, and that I kept going. These books are not loud, but they endure in their own quiet way. A bit of a reflection of us all, I like to believe.


Maybe that is all any of us can hope for: to leave behind traces, however small, that say we lived, we felt, we created, we mattered.

Yes, we mattered. 🙏

The August Current is here

Today is release day.


My tenth collection, The August Current, is out in the world.

If you’ve been following along, you already know how this one came together. Ninety poems written by hand during the August wave; one after the other, without pause, without much thought beyond letting them happen. They’re not arranged or polished into a structure. They stand in the exact order they fell out of my fingers.
Typing them up was the only step. The current itself decided the flow.

This collection feels raw, immediate, maybe even fragile, but that’s what it was, and that’s what I wanted to keep.

It’s strange to think this is book number ten. A small celebration, a milestone I never planned for, but one that feels quietly important.

Each book is a trace of who I was in that moment and somehow, together, they form a line I can look back on with a mix of disbelief and pride. I did that. I wrote all those words. Some are deeply personal, while others are from borrowed feelings and emotions, but they are all written in my own voice.


Thank you for reading, for being here, for carrying these words in ways I’ll never fully know.


The August Current is available now.

amazon.com

amazon.co.uk

http://paypal.me/micqu to support me directly and get a signed copy. 16.99USD (≈ 15.50 EUR / 13.20 GBP) Shipping included. ❤️

Thank you 🌊💜

Butterfly Tears

I recorded this in the very early morning hours. The sun was still asleep and the house was quiet.

Butterfly Tears was written at the very beginning of what became the August Current. I sent it to a friend who was immediately drawn to it and that’s how I knew I had written something good there. Something that resonated with a creator whose opinion and expertise I value a lot.

Another very strong piece is the one below. That too was sent to a person who matters and they reacted very positively too.

As posted on IG this morning https://www.instagram.com/stories/micqu_1/3725661174156274285?utm_source=ig_story_item_share&igsh=MWsxd3hiZDYxcG13NA==

Tomorrow (September 21st) the day is finally here: the August Current will see the light of day and can be ordered from all around the world. I am excited to see and hear what you all think. Sometimes, a little encouragement (or a short comment) goes a long way, especially to someone like me who doubts again and again if I am doing the right thing.

The August Current

Available on Amazon worldwide – go to your favourite shop, it should be easy to find.

If you prefer a personalized copy: I have 7 in stock that could be yours for 16.99USD (≈ 15.50 EUR / 13.20 GBP). I use PayPal for transactions.

Ten books! That’s something, isn’t it? The first was published in 2018, that means some of you have been on this journey with me from the beginning. Thank you very very much for that. I never take these things for granted. Ten books! It’s an accomplishment. For me and for you. I love you 💜❤️💜❤️💜❤️💜

Friday 5

It’s the first week back at work, and though I love it, it leaves me tired. Still, there was music, there was sky, and there were words. Here’s this week’s Friday 5.

Song

Soen – Primal

https://youtu.be/rlSAhFy9YUw?feature=shared

This song dropped last week and it is the first single of the upcoming album Reliance due in January 2026. Hold on to your socks, this one is loud. Soen plays prog-metal, and Reliance will be their 7th studio album.

Photo

When I drove to work this morning, I had the most amazing view. There was a veil of fog, but above the sun was rising, painting the sky in orange and violet hues. The crescent moon was visible as well as Venus. In the above photo, you can spot the moon if you squint a little, just above the stairs that lead to my place of work.

Post

The most read or listened post was the above. It was something I tried and will probably do again once in a while. It’s really not easy though. And it has the feel of a Voice Message that is too long.

Visitors

USA 🇺🇸

India 🇮🇳

Canada 🇨🇦

United Kingdom 🇬🇧

Brasil 🇧🇷

Jeff mentioned an increase in blog traffic lately (namely from China), for me it was the opposite: a noticeable decline.

Thoughts

A lot has happened this week. From the beginning of school, I covered that at large, to poems being shared on IG, and more.

In two days The August Current will be officially released and I am looking forward to that. So far, there is no interest in it from any side, but still. I stand by it, it’s one of the best, if not the best, book I ever created. I am very proud of it.

Update (spoken blog post)

Show Notes
Instead of writing today, I recorded a spoken post. I was too tired to type, and my words flowed better this way. If you’d rather read than listen, here are the main points:


Back to school on Monday → I feel lucky every day to love my job as a preschool teacher. It’s tiring, but worth it.


Had a very touching comment on SoundCloud:
About my spoken piece Threads (collaboration with Daniel Cavanagh / Weather Systems).


The listener said my words and voice had a healing impact.


I usually feel insecure about my accent and flaws in English, so this praise meant a lot.


At first I wanted to give all credit to the music, but he insisted it was me. That touched me deeply.


Next Sunday my new book The August Current will be published.


Ebook already on Amazon, pre-orders for the print edition are open worldwide.


Written in one sleepless week, entirely handwritten before being typed.


Raw, unpolished, authentic, one of my most special collections.


I don’t mind if 20 or 100 people buy it – I just want the poems out there, to maybe touch someone the way that SoundCloud listener was touched.


For now: late lunch, music as always, and seeing what the rest of the day brings.


Friday → the usual Friday 5 post will be up

Threads on SoundCloud

Thank you if you listened. I added the SoundCloud link to the song THREADS for Weather Systems’s profile. It’s on my profile too, but the comment that led to the mentioned exchange can be found here.

Thank you

Friday 5

It is Friday, again. The week went by in a blur, or is that just me? Maybe it’s because the weather turned bad over here and school is about to start (officially on Monday). As a preschool teacher we had PT meetings and team meetings yesterday. And today our young students can visit the classroom and meet us teachers. It’s very exciting and there is always lots to organise. In school, a lot happens in the background. But before school starts again, let’s enjoy the weekend. And how better to start a weekend with a song?

Let’s go!

Song

Antimatter – leftover wine

I chose this song because it has been stuck in my head for a while now. Maybe it gets stuck in yours too? Antimatter has been featured often on the blog, I like Mick Moss’s voice a lot. The above song is a cover version of Melanie’s Leftover Wine from 1970. Personally, I prefer the cover that can be found on the Antimatter album Parallel Matters (rarities 2001-2024) that came out earlier this year.

Photo

Somehow I got it in my head that a photo in this Friday post has to be from that week. Now, this week went by so fast, I didn’t take many pictures. I could have posted one of the nudes I was sent, somehow that’s taking up again on IG, but that’s not my style. And I do admit, I am less appalled and more flattered, lol. It’s a matter of perspective. Anyhow: the above photo is of me proudly holding my new book into the camera. My usual curly hair was straightened, my eyes looked almost black (must be the light)… It is a picture of me that is nice enough to share.

Post of the week

The post that was most read this week was the english translation of the originally french poem “la caresse maudite”

Visitors

It was a very quiet week on the blog. Very much so. In my mind, some posts went under the radar this week because of that, but I could be wrong.

USA 🇺🇸

UK 🇬🇧

Spain 🇪🇸

Netherlands 🇳🇱

India 🇮🇳

Thoughts

This week I found myself circling the same thoughts, almost like walking the same path over and over, checking if the ground still holds. I asked myself if my words are raw enough – or too raw, if the rhythm I fall into carries the reader or lets them slip away. I wondered if my meandering is charm or distraction, if my voice is strength or flaw. If there is too much different content on the blog and if none of it matters to anyone but me.
I thought a lot about The August Current too. How to bring it onto the blog without repeating myself too often. How to let it stand among the other books and still keep its own pulse, and let it shine. Because this one really deserves to shine. But what if repetition isn’t the enemy I make it out to be? Maybe it’s a way of saying: look again, this matters. To me it does, and maybe that’s enough to make it matter to you too.
I come back to authenticity, always.
To the fear of losing what makes me real. To the fear of polishing or censoring myself too much.
And to the hope that my words, as they are,
are enough.
And that I am too. And you know? More often than not, lately, I think they are. Me too. 💜