Invincible

Invincible doesnโ€™t mean unbreakable, it doesnโ€™t mean flawless, or untouchable, or forever strong. I used to think it did, I used to think invincible was armour, steel plates over soft skin, a face no one could read, a body that could take the blow and still walk away untouched. But thatโ€™s not what it is, is it? Invincible is waking up on the mornings when everything feels heavy, when the bed is a coffin, when breathing feels like work, when breathing feels like suffocating. Itโ€™s standing in the middle of the storm and realising the storm hasnโ€™t carried you away yet. Itโ€™s the tiny, stubborn act of writing one more line, singing one more note, saying one more word, even when silence would be easier, cleaner, safer.


We mistake fragility for weakness, but fragility is proof of being alive, skin that bruises, eyes that tear up, hearts that stutter when theyโ€™re breaking. Weakness would be not feeling at all, weakness would be letting yourself disappear, bit by bit, until nothingโ€™s left.


Invincible is the part that still rises even when life pulls you under. Itโ€™s the whisper that says: not today. Itโ€™s the breath you take even after saying you donโ€™t want to anymore. Itโ€™s the cracks in you that didnโ€™t destroy you, but showed the light sneaking in. Maybe invincible looks nothing like we thought. Maybe itโ€™s raw, frayed edges. Maybe itโ€™s the thread that never snaps, even when itโ€™s pulled too tight. Maybe itโ€™s the quiet defiance of staying here, still showing up, still alive, still breathing, even when you donโ€™t know why.


Today, I am somewhat invincible: I am still here. And so are you. โค๏ธ๐Ÿ’œโค๏ธ๐Ÿ’œ

and it was painted green

It was his birthday again. Five years had passed, yet the date never slipped by unnoticed. It seemed to arrive in the body before it appeared on the calendar, as if memory lived deeper than thought. Not the cake, not the candles, not the laughter that should have filled the day. What returned was the other birthday. Theirs.


They had been strangers then. It had started with a shared love for music, for humour. Messages becoming more flirty, more intimate. They were strangers who wanted too much, who admitted it too easily. It might have stayed suspended in words and distance, but she was invited in by his partner. Curiosity turned suggestion into plan. That was all it took. All three were driven by lust, anticipation, and a deep understanding of each other.


When they first saw each other, it was at the doorway. She rang the bell, and he opened the door. For a heartbeat they only looked. Then he pulled her in and kissed her before she could speak, before nerves had the chance to rise. The kiss was urgent, disarming. They made love there and then, sober and unguarded, while the house was still quiet and his partner had not yet returned.


Afterwards there was a pause, a different kind of silence. They lay together, skin still warm, catching their breath, almost laughing at how sudden it had been. They studied each other in that new closeness, the way strangers do when they have already crossed too far. That hour held a different intimacy, quieter, stretched thin with anticipation of what would come once she arrived.


When his partner returned, the atmosphere shifted but did not break. What had begun in urgency unfolded into something broader, more daring. Smoke clung to everything, and the sharpness of what they swallowed tilted the hours. Her heart raced too fast, her mouth dry, nerves dissolving into hunger. Clothes scattered across the floor, the room thick with heat and breath. His hands found her hips, his partnerโ€™s fingers traced her back, his mouth pressed against her neck. The light above them shifted colours, cycling through red, blue, violet. Green lingered longest, washing over their bodies as if it wanted to mark them.


There was a moment when she wanted to look away, the intensity too much, as though being seen so deeply left her exposed. He hovered above her with an astounded smile, and with quiet command he moved her arm from her face. Look at me, he said, his voice so certain it broke her open. The force of it scattered her, a million pieces of lust and desire, shattering under the weight of being seen.


And his voice again, later. That more than anything. We will keep her.


The words pierced deeper than any touch. They were not light. They were not a joke. They carried weight, heavy as a brand. Her body had tightened at the sound, and she believed him. For a moment she belonged. To him. To her. To both.


The weekend blurred. Sheets damp, tangled. Laughter breaking into moans. Her own voice raw, unfamiliar, rising again and again. The three of them insatiable, restless, as if the birthday itself demanded nothing be left untouched.


And then it ended. Celebrations always do.
Silence followed, heavier than words, and it grew quickly.

Final, unyielding.


Every year the memory returned. The door opening. The kiss. The quiet hour before his partner arrived. The smoke, the heat, the weight of their bodies. The way he moved her arm, the words he spoke, the way the light turned green and seemed to hold there.


They had been strangers then. They were strangers again. And five years later it was still painted green.

###

fijne verjaardagsweek ๐Ÿ’œ

The world in my eyes (photo dump)

My eyes are naturally very reflective. It’s at once beautiful and weird to see the world in my eyes
I got this tree years ago for mother’s day. It’s most beautiful in the fall
My week was long and heavy, I still managed to take a selfie to remind myself that it is all okay. I am still there.
I shared this one in my post Friday 5. It looks almost impressive. Almost.
On my way home. The trees are changing colours. It was a recurring theme this week.
The last poem I wrote.

All these photos were taken last week. xx

Friday 5

This week, the Friday 5 are a day late. It happens. Life got a bit busier than expected. I didn’t forget it though. So… Let’s go.

Song

Paul Kalkbrenner x Stromae – que ce soit clair

At first glance this is an atypical song for me to share. On second glance, it makes a lot of sense. I am not bound to a genre, but to the feeling of a song. And this one is quite great, I’d say.
Here is the same song on Spotify.

Photo

Choosing a photo this week was a bit difficult. I took many great pictures and would share them all in a heartbeat, but the above is important too. Why? Because it shows all my publications in one photo and seeing the covers side by side is, at least for me, awesome. You see, I will never be a best-selling author and no matter which ways I try, I can’t seem to find an audience outside the blog. Most days that is completely okay, and it is enough to be able to hold my own words in print in my hands. Other days the dreamer in me fantasies about being discovered, going on a book tour and performing my poetry for an interested audience.

Post

After the Curtain is the epilogue of sorts, the last explanations after the play I wrote and shared all last week. The posts were all scheduled. I still cannot explain what drove me to write it and extend it to 7 acts, but for me, it somehow worked. The play is not different from my poems, it’s the same theme, but with this format, it breathes differently. We were love.

Visitors

USA ๐Ÿ‡บ๐Ÿ‡ธ

India ๐Ÿ‡ฎ๐Ÿ‡ณ

UK ๐Ÿ‡ฌ๐Ÿ‡ง

Spain ๐Ÿ‡ช๐Ÿ‡ธ

Netherlands ๐Ÿ‡ณ๐Ÿ‡ฑ

Thank you for being there. There seems to be a bit more balance these last weeks in who comes to visit. I am sure you are aware, but if you read something on this blog that has value to you, don’t be afraid to share it. It amazes me that my words and everything that lives in my head has readers all around the world. It makes me smile.

Thoughts

Here we are. Another week older. Another week under the belt. For me personally, it was a bit of a challenging week. I cannot explain why, but my mood was very rotten and not even sunshine warming my cheeks helped it. The truth is, I felt lonely this week. And while I could have remedied that by being active, I couldn’t. I was too tired and detached. I wanted/needed connection, but I couldn’t make it happen. It’s a vicious circle. I am not sure how to break it yet, but at the same time, I am never stuck in this loop for too long (two weeks tops).

Anyway… How to end this on a lighter note? Friday 5 also work as Saturday 5. While I am writing this, I see that that song won’t load… I’ll work on that after sharing the post. ๐Ÿ™‚

Be kind to yourselves, forgive yourselves more, not everything needs to be perfection.

Have a nice weekend xx

After the curtain

And that was it. We were love.
Two chairs, several acts, and all the silence in between.

It felt unusual to post this here. I usually share poems, fragments, small reflections. A play is different. Plays are meant for the stage, for bodies and breath, for silences that stretch too long. The be seen and experienced. But still, I felt it belonged here because it is not so far from what I always write. Presence and absence. Love and silence. What is said and what is never said.

Letting it out act by act was strange. Like lifting a curtain in the morning and in the evening and lowering it again. Strange, but also good. Writing it was heavy at times, it pressed on me, but it was also a relief to give it form and let it stand on its own. It weren’t the words that were heavy to write, but the format of the play that made it hard.

I do not know what it was for you. Maybe too stark, maybe unsettling, maybe exactly what you needed to read. Maybe too shallow. Maybe it was nothing at all. But I hope at some point you felt it. The pause. And you heard it. The scrape of a chair. The ache of closeness that never quite closes.

For me, sharing it here was a way of letting go of this little experiment.

The curtain is down now. I don’t know if I will ever write another play. But I know this:

We were love.

ACT VII: Parting

Stage: The two chairs remain centre stage, facing one another. Dim light, almost dusk-like. The silence is immense.

They stand close, almost touching. Neither moves. They hold stillness.

HER (softly): What are we.

Silence. He moves behind his chair, as if it was a shield. He grips the backrest tightly, eyes downward.

HER (firmer): What are we?

No answer. She circles her own chair slowly, deliberately. He mirrors her, both orbiting until they end up face to face, with the chairs between them.

HER (sharp, demanding): Say it. Damn it. Say it.

HIM (quiet, breaking): I canโ€™t.

Silence. He turns his chair away, back facing her. She stares at the gesture, breath catching.

HER (after a pause, whisper): Iโ€™ll carry that question. Like I carry you.

HIM (low, almost pleading): I never asked anything from you. You were never a shadow to me.

HER (pained): Then why does it feel like Iโ€™m fading.

Silence. They both stand still for a long time.

Slowly, both step forward at the same time, meeting between the chairs. For the first time, their hands touch. Fingers entwine. They stand like this for a long silence, breath audible, eyes locked.

She leans slightly forward, their foreheads almost touching. But they do not kiss. The space holds.

HER (whisper, breaking): If this is loveโ€ฆ it hurts. Too much.

HIM (quietly): If this is loveโ€ฆ it stays. Forever.

Another silence. Fingers tremble, still locked together.

They do not let go, instead, they begin to move. Slowly, painfully, they walk in opposite directions, pulling away from the centre. Their arms stretch, their fingers still entwined. They keep moving, each step widening the space, until only their fingertips remain touching. At last, the contact slips, leaving only air between their outstretched hands.

They stand frozen, backs turned, the distance infinite.

HER (final line, steady, almost to herself): We were love.

Long silence.

The lights fade very slowly, leaving the outline of the two chairs and the empty space between them. Then total blackout.

ACT VI: Confessions

Stage: Two chairs, set apart, angled toward one another. Dim light, cooler now. A faint blue wash, like night settling in.

They stand, not sitting. Each circles slowly around their chair. The scraping of shoes on the floor is deliberate, rhythmic. They orbit like planets, never colliding.

Silence stretches.

HER (quiet, trembling): You were the only one. Always.

Silence. Circling continues.

HER (stronger): The only one I told. Everything.
(beat)
The only one I trusted with my breaking.

He stops mid-step, gripping the back of his chair. He lowers his head.

HIM (low, hoarse): And I broke you more.

Long silence.

HER (bitter laugh, short): You shattered me.
(beat)
And I kept sweeping up the glass.

She steps closer, fingers brushing her chair like an anchor.

HER (softer, breaking): I carved myself smaller, smaller,
(to herself)
just to fit the spaces you left for me.

He moves suddenly, circling faster, words spilling.

HIM (bursting): I could not hold you. Donโ€™t you see?
(shouting now)
I could not even hold myself.

He slams both hands on the back of the chair. The sound echoes. He stays bent forward, shaking.

Silence.

HER (after a pause, steady but pained): Then why take me at all?
(beat)
Why let me believe? In this. In us?

Silence. He lifts his head, but does not answer.

HER (rising anger): You made me weightless.
(beat)
You called it love.
(beat, louder)
You said it was love.

She tips her chair over. The crash fills the space.

HIM (explodes, raw): It was love.
(beat, quieter, breaking)
It always was love. It still is.

Silence. Both stand heaving, facing one another across the fallen chairs.

They step forward, almost colliding. Their faces inches apart. Neither touches. Their breath fills the space.

Unbearable tension.

The light slowly dims until blackout.

ACT V: Nearness

Stage: The two chairs are drawn closer now, side by side, almost touching. Dim light. The floor still bears the marks of the last act: one chair on its side, the other shoved off-centre. Slowly, they right the chairs, then sit.

They sit. Silence. Long.

HIM (suddenly, voice low but firm): I did love you.

The words hang in the stillness. Silence.

HER (quietly): You never said.

HIM: I thought you knew.

HER (dry, almost bitter laugh): Knew?
(beat)
You thought silence could speak for you?

Long silence.

HER (turning slightly toward him): I waited.
(beat)
For words.
(beat)
For proof.

He shifts uncomfortably, eyes fixed on the floor.

HER (sharp, controlled): You gave me silence and called it love.

Silence.

HIM (quietly, defensive): Love is easy. Speakingโ€ฆ
(he falters)
Speaking is not.

Silence.

HER: So you left me guessing.

HIM (softly, almost to himself): I thought you felt it anyway. You know me.

HER (cold): Feeling and knowing are not the same.

They sit in silence with their shoulders almost brushing, close but never touching. She leans toward him, slowly. Their faces hover near, almost a kiss, almost a crossing. For a breath, the space between them disappears. He doesnโ€™t move. She pulls back with a faint, broken laugh.

HER (whisper, almost breaking): This is not enough.

Silence. The two chairs stand side by side, closer than ever, yet the distance between them feels infinite.

Blackout.

ACT IV: Shadows

Stage: The two chairs stand centre stage, closer now but still apart. Dim light. A heavy air of anticipation.

They rise slowly, almost in unison. Both move behind their chairs, gripping the backrests like anchors. Their knuckles whiten. They lean forward slightly, breath audible.

HER (low, controlled): Why hide me.

Silence. He shifts his grip. His chair creaks under the pressure. He opens his mouth, closes it.

HER (sharper): Why.

Silence. He lowers his gaze, wonโ€™t meet her eyes.

HER (exploding, shouting): TELL ME! Make it make sense.

She slams her chair forward. It scrapes harshly across the floor, echoing. Silence follows, heavy and jagged.

HIM (snapping back, voice breaking): You donโ€™t know what it cost me.

HER (mocking, furious): What it cost you?
(beat)
Are you serious?

She circles her chair like a predator, hands trailing along the backrest.

HER (softer, bitter): I was not a shadow. I had a face. I had a voice.
(beat)
And you made me invisible.

HIM (suddenly shouting): I saved you!

The words burst out. He shoves his chair to the side, violently. It falls with a crash. Silence. They both freeze, chests heaving.

HER (after a long pause, whispering): Saved me from what?

He doesnโ€™t answer.

HER (stronger): Look at me.

He slowly raises his head. Their eyes meet. The first sustained look between them. They hold it. Too long. The tension unbearable.

HIM (voice cracking, almost pleading): I kept you in the darkโ€ฆ so they couldnโ€™t touch you. To protect you.

HER (quiet, steady, devastating): You kept me in the dark for too long.
(beat)
And now I canโ€™t see myself.

Silence. She lets go of her chair. It tips onto its side with a hollow sound. She stands empty-handed.

HER (whisper): You turned me into air. Why? For whom?

Silence stretches. Their breathing is all that remains.

Blackout.

ACT III: Fragments

Stage: The same chairs. They are moved a little closer than before, not quite side by side. Dim light. Shadows stretch long.

They sit. Their bodies are angled away from one another. Silence.

Her foot begins to tap. Slowly. A single beat.
He fidgets with his hand, then unconsciously begins tapping his foot as well.

The rhythm is uneven at first, then slowly aligns. Two beats, in time. Silence. Only the sound of feet.

HER (softly): You gave me fragments.

Long pause. Feet keep tapping.

HER: A word here.
(beat)
A touch there.
(beat)
Never whole.

Silence. Their feet stop suddenly, as if caught.

HIM (low): I gave what I could. What was left of me.

HER (quick, cutting): Pieces. Only pieces.

Silence.

HER (rising, pacing around her chair):
One smile, then gone.
One promise, broken.
One nightโ€ฆ nothing after.

She circles the chair slowly, her hand brushing the wood each time.

HER (to herself, almost chanting):
Nothing was real.
You left me with shards.

HIM (barely audible): I never knew which pieces to give. They are all ugly.

She stops pacing. Looks at him. Long silence.

HER (cold): All of them. I wanted all of them. All of you.

Silence. She sits again, but angles her chair an inch closer to his. He notices, shifts uncomfortably, but doesnโ€™t move his own chair away.

HER (leaning forward): Do you hear me still, when the silence is loud?

Silence.

HIM (whisper, almost a confession): Every night. All the time.

Her head drops slightly, as if in both relief and exhaustion. Long silence. The rhythm of tapping returns, softer this time, hesitant. Their feet find each other again, two beats matching in the dark. They both stop at the same moment. The quiet is total.

Blackout.

ACT II: Distance

Stage: The same two chairs. Dim light. A little closer than before, but still a gap.

They sit. Silence. Neither looks at the other.

She stares at him, unblinking. He looks down, fidgets with his fingers, avoids her gaze.

Her breathing grows louder, measured. He scratches his knee nervously. Long silence.

HER (suddenly, cutting): You vanished.

Silence. He shifts, but says nothing.

HER (louder): Again and again.

He swallows, adjusts his chair slightly, but still avoids her eyes.

HER (standing, voice sharp): You vanished!

Her voice echoes in the silence. She folds her arms tightly across her chest, pacing a few steps. She stops. A pause. Then, lower:

HER: You always vanish… You are never there.

Silence. He finally looks up for the first time, meets her eyes briefly, then looks down again.

HER (accusing): Even when you were hereโ€ฆ
(beat)
โ€ฆyou were already gone.

He opens his mouth as if to speak, closes it. Silence stretches.

HER (moving closer, intense): Say something.
(beat)
Anything.

HIM (very quietly, almost inaudible): I was still there. I am.

Silence. She laughs bitterly, a dry, humourless sound that hangs in the air.

HER (mocking his quiet tone): โ€œI was still there.โ€
(beat)
You call this โ€œthereโ€?

(she gestures at the empty space between them)

You call thisโ€ฆ being there?

He rises half out of his chair, as if to speak, then sits again, head in hands. Silence.

HER (a whisper now, but fierce): You were nowhere.
(beat)
And you left me in the empty.

Long silence. She stands still, arms crossed, breathing hard. He sits motionless, staring at the floor. The distance between them is palpable, they are an ocean apart.

Blackout.

ACT I: Stillness

TWO CHAIRS

A Play in Seven Acts
by Catherine Tricarico


CHARACTERS

HER
HIM


SETTING

A bare stage. Two wooden chairs. Dim light.
No set changes. Only bodies, silences, and the two chairs.


ACT I: STILLNESS

Stage: Bare. Two wooden chairs, far apart. Dim light. A hush that feels like waiting.

From opposite sides, they enter. Very slowly. Each step separated by stillness. Neither looks at the other. They pause midway, as if uncertain. Finally, both continue and sit. The chairs creak faintly.

Long silence.

He fidgets with his hands in his lap. Fingers clench, unclench. He glances up, almost at her, then drops his eyes.
She notices, but looks away. Her foot begins to tap lightly against the floor. A rhythm.

Silence holds.

HER (quietly): I was there.

No response. He shifts in his chair, restless. Silence stretches.

HER (after another long pause): You didnโ€™t see me.

He stirs, runs a hand through his hair, then grips the chair tightly. Silence.

HER: Always looking somewhere else.
(beat)
Never at me.

Silence. He exhales sharply. Still does not look up.

HIM (suddenly, snapping): Stop looking at me!

The words burst out, loud after the long quiet. He grips the chair as if bracing himself. Silence follows; heavy, almost unbearable. Her foot stops tapping.

HER (steady, after a pause): I wasnโ€™t looking.

Silence again. She lowers her head. He stares down into his lap. Neither moves.

Blackout.

Two Chairs (a play)

Playwrightโ€™s Note

This is the first time I have tried to write a play.

I didnโ€™t sit down and plan it. It came to me. I saw it before my inner eye and knew right away it was not a story. It was not a poem either. It needed bodies. It needed movement. It needed pauses that stretch too long. Silences that only make sense when they are written as a play. That is when I realised what it wanted to be.

It is stripped down to almost nothing. Two chairs. Two voices. Silence. No scenery, no time, no place. Just presence and absence and everything that lives in between.

On a stage a director and two actors would take this skeleton and give it flesh. They would decide how long a silence lasts. They would let the words and the stillness breathe. Reading it here is different. You have to imagine those things yourself.

If you rush, it will look thin. If you read it slowly, it will start to thicken. You might hear the chairs creak. You might feel the silence pressing in. At times it will feel suffocating. That is part of what it is.

I will not call myself a playwright. But this one feels right. And it feels right to share it with you. And I hope you will enjoy this little experiment. It’s not perfect, nothing ever is, but I wanted to give it a try.

So that is what I am going to do. In the next posts the curtain will rise. The lights will dim. And you will be left with two chairs and everything that passes, or does not pass, between them.

The curtain opens in the evening.

Dreamt by eternity

She rises through veils of starlight,
half-formed, half-remembered,
a dream whispering itself awake.


Galaxies ripple at her passing,
their edges bending soft as fabric,
their fire trembling in her shadow.


She is the silence between moons,
the breath that unravels comets,
the mirror in which time forgets its face.


Every step dissolves into light,
every gesture fractures into colour.
She is
a secret the universe cannot hold,
a vision dreamt by eternity.

Rolling raisins on my face for work

Yes, you read that right. I once had to roll a raisin across my face for work. Not because Iโ€™d lost a bet or because I secretly enjoy raisins (I donโ€™t), but because it was part of a mindfulness training. Apparently, the path to inner peace begins with fruit on your cheek.


The exercise went like this: roll the raisin across your face, pinch it between your fingers, listen to it, sniff it, and then chew it very slowly. And then eat another raisin right away and decide which one had more flavour.
Honestly, it was ridiculous. A raisin is a raisin. And for me, a raisin is something I never liked much. (Too sweet, weird texture…) No amount of slow chewing was going to create a deep connection and turn around my dislike.


Still, I understand the intention. The point was to pay attention, to slow down, to be present. And that part isnโ€™t wrong. Itโ€™s just that I donโ€™t need raisins for that.


When I write, I am present. When I am with the kids in my class, I am present, because they wonโ€™t let me fake attention. When I cook, laugh with my family, or watch stars and clouds in the sky, I am present. And when I listen to vinyl records, I am fully there too. Putting the needle down, sitting with the music, letting the sound fill the room – itโ€™s almost meditative, a way of disappearing into the act of listening itself.


Where I could use more presence is elsewhere. When I scroll too long. When I rush through messages without really reading them properly and forget answering them. When my mind leaps ahead instead of staying here. When “what if” becomes too loud… Maybe that is where mindfulness has a point.


In the end, mindfulness probably just means noticing more of what is already in us. And if I can do that while sipping coffee, listening to music or watching the sky instead of rubbing dried fruit on my face, my mind will be full enough.

Still, stay mindful. Slow down. Sometimes it’s all we need.

Nate Maingard – slow it down. This song touched something in me. (Just like a song called braver and stronger by the same artist). I donโ€™t follow him anymore because our worldviews don’t align anymore, but the song still fits the theme of slowing down.